Friday, February 5, 2010

BLT Essential Question: How is “The Rime of the Ancient Mariner” an allegory?

BLB Essential Question: Whose voice is that?

In the World Today . . .

Eastern Seaboard Getting Walloped

PETA Requests Zac Brown Band to Change Album Name

Cheetahs Ignite Panic in New Zealand Zoo

Every Man, Woman, and Child in U.S. Will Owe $6,000 PLUS What We Pay in Taxes as Deficit Raises

A Political Divide Regarding Football Too?


BLT cont. Mariner

Allegory – a literary work in which there is a literal, surface meaning and also a deeper, symbolic meaning

Plato’s Allegory of the Cave

In Book VII, Socrates presents the most beautiful and famous metaphor in Western philosophy: the allegory of the cave. This metaphor is meant to illustrate the effects of education on the human soul. Education moves the philosopher through the stages on the divided line, and ultimately brings him to the Form of the Good.

// //

Socrates describes a dark scene. A group of people have lived in a deep cave since birth, never seeing the light of day. These people are bound so that they cannot look to either side or behind them, but only straight ahead. Behind them is a fire, and behind the fire is a partial wall. On top of the wall are various statues, which are manipulated by another group of people, lying out of sight behind the partial wall. Because of the fire, the statues cast shadows across the wall that the prisoners are facing. The prisoners watch the stories that these shadows play out, and because these shadows are all they ever get to see, they believe them to be the most real things in the world. When they talk to one another about “men,” “women,” “trees,” or “horses,” they are referring to these shadows. These prisoners represent the lowest stage on the line—imagination.

A prisoner is freed from his bonds, and is forced to look at the fire and at the statues themselves. After an initial period of pain and confusion because of direct exposure of his eyes to the light of the fire, the prisoner realizes that what he sees now are things more real than the shadows he has always taken to be reality. He grasps how the fire and the statues together cause the shadows, which are copies of these more real things. He accepts the statues and fire as the most real things in the world. This stage in the cave represents belief. He has made contact with real things—the statues—but he is not aware that there are things of greater reality—a world beyond his cave.

Next, this prisoner is dragged out of the cave into the world above. At first, he is so dazzled by the light up there that he can only look at shadows, then at reflections, then finally at the real objects—real trees, flowers, houses and so on. He sees that these are even more real than the statues were, and that those were only copies of these. He has now reached the cognitive stage of thought. He has caught his first glimpse of the most real things, the Forms.

When the prisoner’s eyes have fully adjusted to the brightness, he lifts his sight toward the heavens and looks at the sun. He understands that the sun is the cause of everything he sees around him—the light, his capacity for sight, the existence of flowers, trees, and other objects. The sun represents the Form of the Good, and the former prisoner has reached the stage of understanding.

The goal of education is to drag every man as far out of the cave as possible. Education should not aim at putting knowledge into the soul, but at turning the soul toward right desires. Continuing the analogy between mind and sight, Socrates explains that the vision of a clever, wicked man might be just as sharp as that of a philosopher. The problem lies in what he turns his sharp vision toward.

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The overarching goal of the city is to educate those with the right natures, so that they can turn their minds sharply toward the Form of the Good. Once they have done this, they cannot remain contemplating the Form of the Good forever. They must return periodically into the cave and rule there. They need periodically to turn away from the Forms to return to the shadows to help other prisoners

Iron Maiden . . .

________________ Voyage

Ignorance – lack of knowledge, education, or awareness

Recognition – an identification of something as true; a realization

Repent – to feel sorrow, regret, or remorse for a wrongdoing

Penance – a voluntary punishment undergone to show sorrow for a crime, sin, or wrongdoing

Absolution – forgiveness; a pardoning of a sin

BLB a medieval scene . . .; Kennings, Riddles, or Boasts; Middle Ages Book Search

The street led them to a marketplace. Here in a half-acre sea of mud, peasants from the surrounding countryside exchanged what little surplus they might have of meat or grain, milk or eggs, for the things they needed and could not make themselves – pots, plowshares, ropes, and salt. Markets were colorful and rather boisterous. There was a lot of good-natured haggling, mock rivalry between adjacent stall-holders, cheap cakes for the children, sometimes a minstrel or a group of tumblers, lots of painted whores, and perhaps a crippled soldier with tales of eastern deserts and berserk Saracen hordes. Those who made a good bargain often succumbed to the temptation to celebrate, and spent their profit on strong ales, so that there was always a rowdy atmosphere by midday. Others would lose their pennies to dice, and that led to fighting. But now, on a wet day in the morning, with the year’s harvest sold or stored, the market was subdued. Rain soaked peasants made taciturn bargains with shivering stall holders, and everyone looked forward to going home to a blazing fireplace.



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